sonny stitt daughter


Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. While in high school in Saginaw, he played in the Len Francke Band, a local popular swing band. So konnte er dem Image des vermeintlichen Parker-Imitators[9] entgehen[3]. A rejuvenated Stitt also toured with Red Holloway in the late 1970s, who noted a marked improvement in his playing. Stitt verstarb 1982 im Washington Hospital Center in Washington D. C. an Krebs. [5], Stitt was a leader of Bebop Boys and Galaxy in 1946 and 1948 respectively. Parker is alleged to have remarked, "Well, I'll be damned, you sound just like me", to which Stitt responded, "Well, I can't help the way I sound. "[4], During the 1940s, he played alto saxophone as a member of Tiny Bradshaw's big band, Billy Eckstine's big band with Gene Ammons and Dexter Gordon, and Dizzy Gillespie's big band. [11], Stitt recorded several times with his friend Gene Ammons, interrupted by Ammons' own imprisonment for narcotics possession. [15], Stitt joined the all-star group The Giants of Jazz (which also featured Art Blakey, Dizzy Gillespie, Thelonious Monk, Kai Winding and bassist Al McKibbon) and made albums for Atlantic, Concord and EmArcy. [12] Just The Way It Was - Live At The Left Bank which was released in 2000 also featured Stitt as an electric saxophone player, which was the first album which encompassed it.
Click on a title to look inside that book (if available): The Encyclopedia of Popular Music (2011) by Colin Larkin. Er ersetzte John Coltrane im Miles Davis Quintett im September 1960 und blieb bei Davis bis Anfang 1961. Er ging nach Chicago, wo er in Sessions mit Ammons und Miles Davis und mit Johnny Griffin im Pershing Ballroom auftrat. In den 1950er Jahren war er Leader ständig wechselnder kleiner Gruppen und knüpfte 1954 mit Eddie Lockjaw Davis (Battle of Birdland), später auch mit Sonny Rollins, Illinois Jacquet, Paul Gonsalves, Stan Getz oder Dexter Gordon an die Two Tenors-Serie an und präsentierte zahlreiche eigene Alben. with Leon Spencer, Melvin Sparks, Idris Muhammad, and Virgil Jones, You Talk That Talk! Stitts Improvisationen waren jedoch melodischer; während der Hinwendung zum Tenorsaxophon berief Stitt sich auf sein Vorbild Lester Young. [5] Später konzertierte er auch international mit Red Holloway, mit dem das Album Partner im Januar 1977 entstand. Stitt was one of the first jazz musicians to experiment with the Selmer Varitone amplification system as heard on the albums What's New!!! Noch bevor er die High School abgeschlossen hatte, tourte er in Bands mit Nicholas und dem Trompeter Thad Jones.[5].

Around that time he appeared regularly at Ronnie Scott's in London, a live 1964 encounter with Ronnie Scott, The Night Has a Thousand Eyes, eventually surfaced, and another in 1966 with resident guitarist Ernest Ranglin and British tenor saxophonist Dick Morrissey. 1964 nahm er das Album Soul People mit dem Tenorsaxophonisten Booker Ervin auf. in 1966 and Parallel-a-Stitt in 1967. [3] Der Jazzkritiker Dan Morgenstern gab ihm den Spitznamen „einsamer Wolf“ (Lone Wolf) in Bezug auf sein unerbittliches Touren und seiner Hingabe an den Jazz.

Im Dezember 1949 trat er mit Davis, Powell, Benny Green, Serge Chaloff, Curley Russell und Max Roach in der Carnegie Hall auf.[5]. [4], Stitts Eltern waren beide Musiklehrer und daher wuchs er in einem musikalischen Umfeld auf. [5], Nach Adoption durch Stiefvater mit 7 Jahren Stitt. In 1971 he managed to record four albums; Turn It On! Im Sommer 1947 spielte er in Detroit mit Parker, Davis und Gillespie;[5] ferner nahm er für Sensation Records auf. [6], Stitt, when playing tenor saxophone, seemed to break free from some of the criticism that he was imitating Parker's style, and he began to develop a far more distinctive sound on tenor. [1], In 1981, Stitt had performed with George Duvivier and Jimmy Cobb, Six weeks before his death, Stitt had recorded two last consecutive sessions which were with George Duvivier, Jimmy Cobb, Bill Hardman and either with Junior Mance or Walter Davis Jr. on piano. n. Martin Kunzler, Stitts Vater Edward war Musikprofessor (Lehrer) und hatte Anstellungen am Wiley College und der Sam Houston State University. Mit fünfzehn spielte er Altsaxophon, nachdem er Charlie Parker auf einer Aufnahme des Bandleaders Jay McShann gehört hatte. Als Höhepunkt dieser Zeit gilt die Aufnahme In Stockholm 1960. "[3] Kenny Clarke said of Stitt, "Even if there had not been a Bird, there would have been a Sonny Stitt. Ab 1966 spielte er auch auf einem elektrisch verstärkten Saxophon (Varitone).

[1] He was given up for adoption in 1924 by his father and adopted by the Stitt family in Saginaw. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. Diese Seite wurde zuletzt am 11. [4] Von 1971 bis 1972 war er Mitglied der Giants of Jazz mit Gillespie, Kai Winding, Thelonious Monk und Art Blakey, mit denen er auf den Berliner Jazztagen auftrat. Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Edward Hammond Boatner, Jr. was born in Boston, Massachusetts[1] and grew up in Saginaw, Michigan.

[3] Als technisch versierter Saxophonspieler beeinflusste er viele Kollegen, darunter John Coltrane, Booker Ervin, James Moody, Hank Mobley oder Ronnie Scott. His last recordings were made in Japan. [2] He later began calling himself "Sonny". Sonnys Bruder Clifford war klassischer Pianist und seine Schwester Adelaide war Sängerin, die in, Nach Martin Kunzler hatte er „zwar einen ähnlich herausschwingenden Sound und gebot über eine vergleichbare Technik, phrasierte jedoch rhythmisch direkter, gleichmäßiger fließend und im Aufbau symmetrischer als der Bop-Innovator, d.h. ohne dessen geniale Diskontinuitäten und Vielschichtigkeiten.“, Vorlage:Webachiv/IABot/www.allaboutjazz.com, Encyclopedia of Jazz Musicians (jazz.com), https://de.wikipedia.org/w/index.php?title=Sonny_Stitt&oldid=192166983, Wikipedia:Defekte Weblinks/Ungeprüfte Archivlinks 2019-05, „Creative Commons Attribution/Share Alike“, Miles Davis: In Stockholm 1960, Dragon (mit. [5][6] Stitt verbrachte seine Kindheit in Saginaw (Michigan) und hatte vom siebten Lebensjahr an Klavierunterricht, wechselte aber später auf die Klarinette. [5] Mit seinem Freund Ammons nahm er auch in den frühen 1960er Jahren auf. How High the Moon Songtext von Sonny Stitt mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com All compositions by Sonny Stitt except where noted. Stitt experimented with Afro-Cuban jazz in the late 1950s, and the results can be heard on his recordings for Roost and Verve, on which he teamed up with Thad Jones and Chick Corea[8] for Latin versions of such standards as "Autumn Leaves. Stitt Plays Bird von Sonny Stitt als LP, mit Tracklist und weiteren Infos. genre: Jazz; released in 1958 (58 years ago) Printed encyclopedias and other books with definitions for Sonny Stitt. September 2019 um 11:36 Uhr bearbeitet. [3], Stitt joined Miles Davis briefly in 1960, and recordings with Davis' quintet can be found only in live settings on the tour of 1960. [16], Sonny Stitt Playing Arrangements from the Pen of Johnny Richards, Sonny Stitt Plays Arrangements from the Pen of Quincy Jones, 37 Minutes and 48 Seconds with Sonny Stitt, Sonny Stitt Plays Jimmy Giuffre Arrangements, Sonny Stitt Sits in with the Oscar Peterson Trio, My Buddy: Sonny Stitt Plays for Gene Ammons, Sonny Stitt with Strings: A Tribute to Duke Ellington, The Oscar Peterson Trio with Sonny Stitt, Roy Eldridge and Jo Jones at Newport, "Boss tenors, 'ReOcurring Dreams,' Regina salutes Ella", "Horace Parlan, jazz pianist who overcame disability, dies at 86", "Chick Corea's Detroit connections will shine at Detroit Jazz Festival", "Miles Davis and Sonny Stitt: Jazz Time: Olympia", "Sonny Stitt: Just The Way It Was - "Live" At The Left Bank", "Bob Perkins' Jazz Library: The Story of Sonny Stitt", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", BBC - Radio 3 Jazz Profiles - Sonny Stitt, https://en.wikipedia.org/w/index.php?title=Sonny_Stitt&oldid=974818506, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 1965: "The Double-O-Soul of Sonny Stitt, Part 1"/"The Double-O-Soul of Sonny Stitt, Part 2" (Wingate) (Single), 1965: "Concerto For Jazz Lovers"/"Just Dust" (Wingate) (Single), 1965: "Stitt's Groove"/"Marr's Groove" (Wingate) (Single) with, This page was last edited on 25 August 2020, at 05:49.

I Came From Nothing To The Voice Of The Streets Lil Durk, Beowulf Characteristics Of An Epic Hero, Gemma Walker Model, Stellaris 40k Build, Symptoms Of Nazar Lagna, Mongoose Mack Parts, Devisha Shetty Instagram, Daily Press Obits Past 30 Days, Maggie Haberman Husband, Beagle Mastiff Mix, Boeing Total Access Health Assessment, Melissa Gorga Height, Doom Emulator Unblocked, Mechcables Order Form, 32204 Crime Rate, Enable Cached Exchange Mode Greyed Out, 7 Days To Die Mod Pack, Luminosity Gaming Net Worth, Emma Atkins Age, Morse Code Light, I Am The Warrior Pat Benatar Wiki, Brain Chip Asx, Crep Protect Velvet, Moscow Song Meme Earrape, Urban Cowboy Bloopers,